WEAVING CULTURAL IDENTITIES
Celebrating Heritage & Textile Traditions
Artists: 10 textile artists, 5 graphic artists (see biographies)
Medium: 10 individual textile works and 8 graphic representations
Dimensions (H x W): 102 x 56 cm (40 x 22 in) for each textile work
This special exhibition is part of the 2018-2020 Vancouver Biennale exhibition themed re-IMAGE-n, and works in congruence with Paradise Has Many Gates by Saudi Arabian artist Ajlan Gharem, a chain-link structure that takes the form of a spiritual space and challenges cultural barriers and our perception of communal spaces. The initiative Weaving Cultural Identities becomes as an extension an important project to develop dialogue around acknowledging and celebrating local Indigenous and migrant histories, while bringing together diverse communities. This project pairs ten textile artists of different disciplines and backgrounds with graphic designers of various cultural descents. Together, these groups collaborate based on their own experiences and histories to create a series of works that celebrates the rich significance of textile arts (both in a sacred and historic sense) through the inspirational art and conceptualization of prayer rugs and weaving/textile traditions. Together, these artists developed a platform and process for community dialogue through arts-based approachable discussions around uncomfortable issues of belonging, forcible displacement, diaspora, assimilation, and honouring land presently shared by several groups.
INSPIRATION FROM LOCAL PRAYER RUGS
Weaving and textile arts are universal mediums that transcend time, space, and language; many textile designs, including those found in prayer rugs, have a unique ability to connect communities through the depiction of local motifs, patterns, materials, and landmarks. Local prayer rugs are associated with a spiritual connection to place, and in essence a connection to peoples through a shared experience of space. By connecting communities through place, and by integrating motifs and design elements from each cultural and artistic traditions, this project encourages artists to dig deeper in order to explore their own sense of cultural identity, while representing part of a larger, local narrative that both honors ancestral legacies and celebrates inter-cultural relations.
This project is further inspired by a successful initiative in Edmonton, Alberta to develop a Canadian Prayer Rug. This initiative was developed in 2016 by a nonprofit Muslim youth group called Green Room as a means of highlighting the city’s rich landscape and unique history of their Muslim community. This project was developed with extensive research and community input by both Muslim groups as well as Indigenous groups who had inhabited the land for several generations.
Similarly, the Vancouver project engages groups from diverse cultural backgrounds to work with Muslim artists and First Nations groups to reconcile lost heritage, share, learn and celebrate cultural knowledge, symbolism and self-identification through textile traditions. As artists expand on the concept of Canadian Prayer Rugs, this also becomes an exploration of the multiple narratives of Vancouver, developed through the storytelling of diverse multicultural perspectives.
Featured Textile Artists
Angela George, Textile Artist
Chief Janice George and Buddy Joseph, Textile Artists
Dawn Livera and Adrienne Neufeld, Textile Artists
Krista Point, Textile Artist
Nadia Sajjad, Textile Artist
Ruth Scheuing and Mary Lou Trinkwon, Textile Artists
Shamina Senaratne, Textile Artist
Michelle Sirois Silver, Textile Artist
Debra Sparrow, Textile Artist
Robyn Sparrow, Textile Artist
Featured Graphic Artists
Doaa Jamal, Graphic Artist
Damian John, Graphic Artist
Sholeh Mahlouji, Graphic Artist
Michelle Nahanee, Graphic Artist
Kit Walton, Graphic Artist
Detailed artist bios can be found here.